I Call myself Princess, Jani Lauzon’s “play with opera,” is now playing at Toronto’s Aki Studio
Written by Jani Lauzon, I Call myself Princess is a powerful, captivating play that addresses Indigenous identity and culture. Playing at Toronto’s Aki Studio, this musical performance is above all an eye-opener.
The premise: modern-day Metis student William (Aaron M. Wells) moves to Toronto from Winnipeg on a music scholarship for Indigenous students. He immerses himself into the life of Creek/Cherokee singer Tsianina Redfeather (Marion Newman) who performed widely in the 1910s and 20s to audiences who wondered if this “pretty little thing” could speak English. Through her story, William attempts to come to terms with the use of Indigenous music by white artists and how he fits into that picture.
Their two stories are deftly intertwined as Tsianina Redfeather and William appear in each other’s realities. Interestingly, Tsianina is like an invisible shadow in William’s apartment, placing her biography in strategic locations so her story won’t get brushed aside; then in the second act, the two of them (or their spirits) converse in the same world.
Many parallels exist between Tsianina Redfeather and William: both have music as a lifeline, both have white benefactors, and both struggle with questions of authorship. Both also end their journeys by “going in the forest,” which I believe means that they take steps towards reclaiming their culture.
I Call myself Princess also gives a nod to challenges faced by Black people, women and homosexuals. There is an amusing scene in which William is almost jealous of his black boyfriend Alex since he gets thirty days of recognition during Black History Month. Also it’s notable to recognize that Cadman’s lyrics were written by Nelle Richmond Eberhart, who broke ground by becoming the first woman librettist to have her work performed at the New York Metropolitan Opera. Tsianina Redfeather helped her get there.
At the start of the play, I thought the operatic music was by Charles Wakefield Cadman; by the end I came to understand that this white composer’s career was built by “borrowing” or “stealing” music from Indigenous peoples, depending on how you look at it.
I knew nothing of Indigenous performers before this play, nor was I familiar with the Indianist movement during Tsianina Redfeather’s time. It was surprising to me that American classical music had incorporated Indigenous melodies.
I learned so much about untold stories during I Call myself Princess. Bravo to Jani Lauzon and her team for reviving Tsianina Redfeather in such a beautiful, genuine manner and for opening our eyes to different versions of musical history.
- I Call myself Princess is playing until September 30 at Aki Studio, Daniels Spectrum (585 Dundas Street East)
- Shows run Tuesday to Saturday at 8 PM, Sunday at 2 PM
- Audio Described Performance on Friday, September 21 at 8 PM
- Relaxed Performance on Thursday, September 27 at 8 PM
- Show Run Time: approximately 120 minutes with one 15 minute intermission
- Ticket prices range from $25 – $30 with PWYC on Tuesdays
- Tickets are available online, by phone at 416.531.1402 or at the door
Photo of Marion Newman by Dahlia Katz, design by Mariah Meawasige