You can’t vote at The Election at Theatre Passe Muraille, but you’ll laugh
The Election opened at Theatre Passe Muraille on Friday. “Huh?” I can hear you thinking, “I’m pretty sure the election is on October 21st.” Yes, the Federal Election is on Monday, October 21st. That’s not the election I’m talking about. This is a play is about volunteering for federal candidates in the 2015 election.
My friend Patricia has a lot of experience working on federal political campaigns, both as a staffer and a volunteer. It made sense for me to ask her to come with me, I don’t know anything about volunteering for a campaign. She said that the campaign office parts of the play were true to life. It reinforced why I don’t volunteer to work election campaigns.
Continue reading Review: The Election (Theatre Passe Muraille presents a Common Boots Theatre Production in Association with Nightwood Theatre and Theatre Direct)
Bob Dylan musical is “dramatically beautiful,” now on stage in Toronto
It’s a mistake to expect Girl from the North Country — playing at the Royal Alexandra Theatre — to be a musical. It’s a play with singing and some dancing. With a couple of exceptions, the songs are sung to the audience, not by one character to another the way they usually are in musicals. Playwright Conor McPherson says it’s “a conversation between the songs and the story.”
Simon Hale’s superb arrangements of 20 Bob Dylan songs — or sometimes parts of songs — as solo and ensemble pieces bring new depth to old favourites like “Slow Train”, “Like a Rolling Stone”, and “Forever Young.” And the music is just part of what makes the play terrific.
Continue reading Review: Girl From the North Country (David Mirvish)
Rocky Horror is a rollicking good time, complete with audience participation and inclusive casting
I wasn’t sure what to expect Friday evening when I arrived at Hart House Theatre to see The Rocky Horror Show. I was a Rocky Horror virgin!
Yes, I saw the movie, but that was years ago. It was also before the rituals: throwing toast, confetti, and rice; the water guns; the callbacks; and the audience costumes. I’m not a costume girl. No projectiles or water guns were allowed at this performance, but callbacks were encouraged, and there were lots of other people not wearing costumes. Great! I could relax and enjoy.
Continue reading Review: The Rocky Horror Show (Hart House Theatre)
“No Foreigners” is an innovative work with a beautiful dreamlike quality.
No Foreigners could be the exemplar for theatre collaboration; presented by The Theatre Centre, it’s a Hong Kong Exile and fu-GEN Theatre Production created by Natalie Tin Yin Gan, Milton Lim, Remy Siu and David Yee with April Leung and Derek Chan credited as co-creators.
The multimedia performance is set in a Chinese mall – like the Pacific Mall – and is a series of vignettes that are made by projecting small models through cameras onto a large screen. The dialogue is in Cantonese and English with English text at the top of the screen. It’s unlike anything I’ve seen before.
Continue reading Review: No Foreigners (Hong Kong Exile and fu-Gen Theatre Production)
Acting takes centre stage in this many-charactered play
The Ends of the Earth – playing at Alumnae Theatre – is a bold choice for Don’t Look Down Theatre Company’s first on-stage production of 2019. Written by Morris Panych and first produced in 1992, it’s a Canadian play that isn’t particularly Canadian. The setting isn’t specified; it could be anywhere with a coastline. This production is set in the present, but it could as easily be set in the early 1990s when it was first produced, or in the 1950s or even the 1920s.
There are a couple of things that date the play. It’s two hours long, 2 hours and 15 minutes with an intermission. In this day of 60 to 90 minutes plays and short attention spans (mine included), that’s a long play. There are 20 characters with lines in the play; 20! That’s a lot of characters.
Continue reading Review: The Ends of the Earth (Don’t Look Down Theatre Company)